
| Bryan Lowry www.hawaiiart.com As with most photographers, photography has been a passion most of my life. Living in Hawaii on the Big Island of Hawaii is the ultimate for someone like me. The volcano is by far my favorite subject. The constant changes that offer only momentary glimpses of what nature can do. For some it's a spiritual experience, for me it is a geological spectacle. I view it as a living art museum and nature is the artist and I am just lucky enough to be able to capture some of its images with my camera. |
| Thomas Deir Bottom Right ' Right Kauai Wave' 'Mermaid Angel Honolulu 2' |
| Andrew Money www.ebsqart.com Bottom "Lunar Windows" This is a completely digitally created version of the moon, rising out of the digital ocean, through a digital window - all created in Windows. Ironic isn't it? |
| Thomas Deir . December 17,1989 was a turning point in the life of Kailua resident Thomas Deir. On that day, he created his first painting on canvas. At the time, he was 26 years old. Two years later, he was the top-selling artist in a Waikiki gallery, selling originals for $10,000 and more. Rather than owning a gallery, managing a dozen people and two locations 40 miles apart, Thomas works out of his home and spends much of this time with his family. Through his interest in flying ultralight seaplanes, Thomas met the man who would eventually become his mentor; John Pitre, a classical surrealist painter of thirty years whose work is known and collected worldwide. His motto in life; "The meaning of life is to find meaning in life". For Thomas Deir, the meaning of life is clear now: Family first, play second, career third. For more on this artist visit his website. Below"Moonnight Rapture" |
| BLUE MOON WEIRD WATERS |
I venture where few dare. Shoes do not last long when the flows are running hot. Safety is always number one. My motto is "Live to shoot another day". Aloha, Bryan Below "Cruising Under The Full Moon" |
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| Justin Jenkins's Companies Monongalia Arts Center Morgan town, WV US Private Instructor Art January 10th 2004 - Present Synchronized Designs Morgan town, WV US CEO / Designer April 2004 - Present Imaginative Pencil Morgan town, WV US CEO / Artist September 2002 - Present |
| Redefining Reality: Looking at the World from an Artists Unique Perspective. When we look inside and around our everyday world we inhabit, we perceive our reality as exactly the way we intend to observe it; as identifiable objects that have certain colors and appearances which our senses have already adjusted to the condition of reality as we intended to relate to it. Therefore, we are somewhat limited to understanding what exactly it is that makes us a living organism capable of seeing, hearing, touching, smelling, tasting, and just plain existing. Understanding the dynamics and energy that create what we are and what we perceive as reality requires analyzation, dissection, and a "scientific" approach to reality and objectivity. |
| My friend Paul Hoffman has a new book out which i highly recommend! To order your copy today click the image link Thanks for your support of Paul's brilliant work! |
| Indygreen is happy to introduce Justin Jenkins art from various collections and 'his Redefining Reality' Artist ~ Designer ~ Writer ~ Inventor ~ Entrepreneur |
| Visualizing the world from outside the box is a trait that is distinctively inborn in many artists and creative souls. Artists seem to have a much more liberated bent on the everyday happenings of a controlled, almost "robotic" systematic culture and system that cherishes time deadlines, routine habits, mass influened trends, and a need to somewhat compare one another based on the "norm" of everyday expectations. These cultural traits, although somehwat strong in their orderliness and which have some positive characteristics, seem to restrict one from understanding the complexities of life and the overall picture that involves each and every one of us. This picture or portrait of our place in the universe with all its underlying complexity and science seems to be only image deep, without much emphasis on how it was painted or with what materials and why. The artist strives to understand how the picture was created, why it was created, when it was created, and how it was created, leaving his perception of the global picture as a multi-layered observation from the inward to the outward, as opposed to the natural instinct and cultural norm or perceiving things outwardly at first then slowly to the inward truth. This reversed excavation only strengthens our spirits and leaves us fulfilled knowing that we strive to understand, and on many occasions, understand what we are made up of or what we were painted with. |
| One of the unique ways we can strip away everyday reality as we perceive it is through a unique visualization of life. Approaching reality from "outside" the box enables one to look at the world much differently than perhaps someone who is overly engaged in the day to day happenings we equate with living. Much to often we see everyone running or racing around to get more accomplished yet never stop to take a deep breath and really absorb their situation or the situations around them. To this majority, life is a microcosmic world they have boxed themselves into in order to focus on their priorities. This leaves some of these individuals falling further behind in their perception of the big picture and wisdom of seeing all. |
| Redefining our bent on reality means going to the core of our existence and truly understanding our relationship with one another. An artist takes a human face or person in a worldy setting, then begins to create dynamic interplays of color and form fusing the setting with the human person as if he "observes" everything that is in the picture box, not just the person at face value. The end result is a picture that is unique to reality because the artist did not focus on one particular object but noticed and observed all the objects. This gives the artist a much broader interpretation of the total environment he was observing and painting. His brush strokes or pencil strokes become unified and woven fusions of observational studies that collide with each other creating a harmonious display of color, form, and the interlocking "marriage" of both these major elements so important to the reality we perceive from the human eye. This exploratory result then propels our reality to another level of consideration that demand the respect of every part of our known world or planet, emphasizing that the macrocosmic machine known as earth is an end result of the relationship and interplays of the microcosmic human beings, animals, and countless variety of planets and organisms that inherit this earth. Warm Regards, Justin |
| Below "Silver Ocean" |

